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Exploring ‘What a Revolutionary Must Know’ and the Biological Made Digital

Posted on: December 9, 2025 11:00 am
Exploring ‘What a Revolutionary Must Know’ and the Biological Made Digital
On December 5th, AP Art and Design students embarked on their first field experience as a part of this year’s Contemporary Arts Center School Outreach Program. The CAC SOP offers students from grades 2 through 12 a comprehensive, immersive experience with contemporary art. Running from September through May, this year-long program includes an in-school orientation, guided tours of CAC exhibitions, a classroom project tied to the exhibition led by a local artist, and a spring visit to an artist’s studio. Program docents work with the same class throughout the year, fostering continuity and rapport with the students.

During the tour, students engaged with the Sheida Soleimani’s “What a Revolutionary Must Know” exhibition. Sheida Soleimani’s solo exhibition presents her complete “Ghostwriter” series, uniting photography, sculpture, and video to reconstruct her parents’ escape from Iran’s totalitarian regime through surreal, staged visual narratives that explore resistance, identity, memory, and political trauma, while also marking her first presentation of video work in a museum. An Iranian-American artist raised in Cincinnati, Soleimani examines interconnected histories of political violence across Iran, the United States, and the Middle East through multimedia, photo-based installations. Her work is held in major museum collections and widely covered in prominent publications. Based in Providence, she is an associate professor at Brandeis University and founder of Congress of the Birds, and she created a public artwork of 100 cast aluminum tulips honoring protesters killed after the 2022 death of Mahsa Amini, a project that debuted at the 2023 Armory Show and continues to raise funds.

“Second Nature” showcases three digital animation works from the 21c Museum Hotels collection, featuring artists Jennifer Steinkamp and Chris Doyle, who use computer-generated imagery inspired by natural forms such as trees, vines, butterflies, and mushrooms to explore movement, pattern, and the fragile relationship between humans and the environment, with Steinkamp’s Dervish 3 depicting a tree shifting through the four seasons in a wind-like, whirling motion, and Doyle’s Circular Lament and Rondo using animated, nature-referencing shapes and bioluminescent mushrooms within symbolic, sacred-like forms to suggest ecological tension and the simulated presence of organic life through digital technology.

Students also had the unique opportunity to experience an artist talk from their teacher, Jamie Schorsch, an exhibiting artist in the “Journey to Healing” exhibition, where she shared how creating artwork has been a powerful tool in processing trauma and shaping her identity in adulthood. Through her personal story and visual work, students gained insight into how art can serve as a path to healing, self-expression, and resilience.

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